GMTH

Prof. Dr. Volker Helbing
Bamberger Str. 46
10779 Berlin
Mail: volker.helbing@gmx.de

Volker Helbing studied flute in Hamburg and Freiburg as well as music theory, musicology and German studies in Berlin. Since 2011 professor for music theory at the Hanover University of Music, Drama and Media. 1996–2011 teaching posts at the UdK Berlin, HfK Bremen, HfMDK Frankfurt / Main and – as visiting professor in musicology – at the MHS Trossingen. Research focus on Music of the 20th / 21st century, the Franco-Flemish School, the history of (mostly French) Music theory. PhD 2005 with Choreographie und Distanz. Studien zur Ravel-Analyse (Olms 2008). Co-editor of ZGMTH 5/1 (Ravel), Studia Musicologica 57/1-2 (Ligeti)and volume IV-7 (nonets) of the Hanns Eisler Complete Edition. Since 2018 he has been a member of the editorial team of ZGMTH.  


Prof. Dr. Ariane Jeßulat
Alt-Friedrichsfelde 126
10315 Berlin
Tel.: 030 - 88700916
Mail: ajessulat@aol.com

Ariane Jeßulat studied at the University of Arts (UdK) Berlin. From 2000 to 2004 she has been lecturer at the Institute of Musicology at Humboldt University in Berlin, from 2004 to 2015 professor for music theory at the Academy of Music Würzburg and since 2014 member of the Institute of Music Research of the Julius-Maximilians University Würzburg. Since summer 2015 she has been professor for music theory at the University of Arts (UdK) Berlin. She received a doctorate degree at UdK in 1999 and her habilitation at Humboldt University in Berlin in 2011. Her publications focus on questions of music theory, the music of Richard Wagner and music after 1950. Since 1989 she has worked continuously in the group die maulwerker, an ensemble for contemporary and experimental music founded by Dieter Schnebel. Since 2015 she has been a member of the editorial team of ZGMTH.


Dr. Cosima Linke
Körnerstr. 3
76135 Karlsruhe
Mail: cosima.linke@posteo.de
Cosima Linke studied music education, German literature and music theory in Freiburg. 2012 to 2017 assistant lecturer for music theory at the University of Music Freiburg, 2013 to 2018 lecturer for musicology at the University of Freiburg and 2017/18 lecturer for music theory and ear training at the University of Music Karlsruhe. Since summer 2018 substitute professor for musicology with focus on music theory at the University of Music Saar in Saarbrücken (HfM Saar). In 2017 she received her PhD in musicology with a music-philosophical and music-analytical study on the relationship of form in new music and aesthetic experience (Konstellationen – Form in neuer Musik und ästhetische Erfahrung im Ausgang von Adorno), which has been awarded with the PhD prize 2016 of the German Musicological Society (GfM). Since 2018 she has been a member of the editorial team of ZGMTH. 


Dr. Ullrich Scheideler
Müllerstraße 150
13353 Berlin
Tel: +49 (0)30-2093-2065
Mail: ullrich.scheideler@staff.hu-berlin.de

Ullrich Scheideler studied musicology, modern history, and philosophy in Berlin (TU) and London (Royal Holloway, University of London), in addition music theory in Berlin (UdK, formerly HdK). He received his PhD with a study on compositional historicism between 1800 and 1850 in the radius of the Sing-Akademie in Berlin. He was member of research staff of the Arnold Schoenberg complete edition; since 2005 he is lecturer and Head of music theory at the musicology department of Humboldt University in Berlin. He has published on subject such as the Second Viennese School and creating authoritative music editions; recently he has been co-editor of Tonality since 1950 (with Felix Wörner and Philip Rupprecht, Steiner, 2017) and Lexikon Schriften über Musik: Bd. 1: Musiktheorie von der Antike bis zur Gegenwart (with Felix Wörner, Metzler/Bärenreiter, 2017). Since 2015, he has been a member of the editorial team of ZGMTH.

Dr. Kilian Sprau
Georg-Hann-Str. 17
D-81247 München
Tel.: 089 / 86 30 60 70
Mail: kontakt@kiliansprau.de

Kilian Sprau studied music education, music theory, piano and ear training at the Hochschule für Musik und Theater München and at the Mozarteum Salzburg. As a scholar and as an active lied accompanist, he is most interested in the interrelations between words and music; in theory and practice, he is primarily working on art song in the 19th, 20th and 21st centuries. In 2016, he received his PhD with a dissertation on cyclic lied composition in the mid-19th century. He is teaching music theory and ear training at the Augsburg University and the Hochschule für Musik und Theater München. Since 2013 he has been a member of the editorial team of ZGMTH.

Univ.-Prof. Dr. Christian Utz
Mariahilferstraße 56/27
A-1070 Wien
Mail: cu@christianutz.net

Christian Utz is professor for music theory and music analysis at the University of Music and Dramatic Arts Graz, Austria and associate professor at the University of Vienna. Utz received a PhD degree (2000) and his habilitation at the Institute for Musicology of Vienna University. Utz has been/is acting as director of the research projects A Context-Sensitive Theory of Post-tonal Sound Organization (CT∙PSO) (2012–2014, http://ctpso.kug.ac.at) and Performing, Experiencing and Theorizing Augmented Listening (PETAL) (2017–2020; http://petal.kug.ac.at) (both projects funded by the Austrian Science Fund, FWF). His monographs include Neue Musik und Interkulturalität. Von John Cage bis Tan Dun (Beihefte zum Archiv für Musikwissenschaft 51, Steiner, 2002) and Komponieren im Kontext der Globalisierung. Perspektiven für eine Musikgeschichte des 20. und 21. Jahrhunderts (transcript, 2014). Utz has been co-editor of the book series musik.theorien der gegenwart (6 vols., Pfau, 2007–2013), of Lexikon der Systematischen Musikwissenschaft (with Helga de la Motte-Haber, Heinz von Loesch and Günther Rötter, Laaber, 2010), of Vocal Music and Cultural Identity in Contemporary Music: Unlimited Voices in East Asia and the West (with Frederic Lau, Routledge, 2013) and of Lexikon Neue Musik (with Jörn Peter Hiekel, Metzler/Bärenreiter, 2016). Since 2014 he has been on the executive board of the Gesellschaft für Musiktheorie (GMTH) and since 2015 he has been a member of the editorial team of ZGMTH.

Dr. Felix Wörner
Manzentalstrasse 37
D-79541 Lörrach
Mail: felix.woerner@unibas.ch

Felix Wörner is lecturer at the Music Department of the University of Basel (Switzerland) and co-ordinator of the joint-project Musikwissen at the University of Basel, Music Academy Basel and Schola Cantorum Basiliensis. He is also Senior Researcher at the Max-Planck-Institute for Empirical Aesthetics (Frankfurt/M). His PhD thesis was titled, »…was die Methode der ›12-Ton-Komposition‹ alles zeitigt…« Anton Weberns Aneignung der Zwölftontechnik 1924–1935 (Bern, 2003). After an AvH-post-doctoral fellowship at Stanford University, he joined the faculty at the Music Department at the University of North Carolina at Chapel Hill (2006–2012). His publications mainly focus on the music of the Second Viennese School as well as music theory and music aesthetics since 1750. His latest publications include Tonality since 1950 (ed. with Ullrich Scheideler and Philip Rupprecht, Steiner, 2017) and Lexikon Schriften über Musik, Vol. 1: Musiktheorie von der Antike bis zur Gegenwart (ed. with Ullrich Scheideler, Metzler/Bärenreiter, 2017). Since 2013 he has been a member of the editorial team of ZGMTH.